Don’t You Dare Tell Me That!
At school, pupils and teachers bullied Louise Powell because her parents got Income Support. She found solace and friendship in greyhounds and racing. But then the bullies came back.
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If you don’t understand why the Beckhams are working class heroes, maybe you don’t understand the working class.
Willy Vlautin has won the Joyce Carol Oates prize for his heartbreaking novel **The Horse.** The Bee met up with him to talk about his hard-living characters, Trump, and his worst-ever job.
Louise Doughty joins us to consider the place of Hilary Mantel’s memoir in our library.
Her working-class background was overlooked, but the double-Booker winner said it determined how she saw the world.
When you’re a child, your social class doesn’t determine how good you are at reading and writing. Yet half of our published writers are from middle-class backgrounds, and only 10 per cent are working class. Why?
How I revolutionised mascara at the age of seven in my mum’s car and how she didn’t understand.
Gissing expert Simon James joins us to consider how **New Grub Street** became so topical again, and to ask if it deserves a place in our fantasy library.
How the troubled George Gissing inspired Orwell, and foretold the influence of Amazon, BookTok and poverty porn.
**“Life was hard in the city over the river. The summer’s riots still smouldered. Then one day, a car crossed the river. A Merc, with windows tinted darker than the night.”**
**“From the top of the hilly field, he looked down to the factories where he used to work, dog treats, loose change and his phone jangling in his fleece pocket.”** Mie Murasa looks back on her friendship with her grandad in Noughties Sheffield.
How did it become so hard to get paid what you’re owed?
The world needs more working-class writers. The Bee is going to find, nurture and publish them.