When We’re Smiling
Do photographs of working-class people have to be sombre, serious and vaguely threatening? Not if Carmina Ripollès is taking the pictures, they don’t. Here’s her show of smiles from the past year to celebrate the season of joy.
Do photographs of working-class people have to be sombre, serious and vaguely threatening? Not if Carmina Ripollès is taking the pictures, they don’t. Here’s her show of smiles from the past year to celebrate the season of joy.
Her family scoff sausage rolls, love a bit of tinsel, and open their presents when they get up. His eat tiny amounts of Thorntons, colour-co-ordinate, and – yes, we are in Hell – wait until after dinner. A festive disaster story from Leesa Morris.
Kevin Barry joins Claire Malcolm, chief executive of New Writing North, and Richard Benson, editor of The Bee, to discuss Frank McCourt’s 1996 memoir Angela’s Ashes.
Siobhan McShane’s introduction to the plot, characters and historical background of Frank McCourt’s working-class memoir of growing up in poverty in Ireland in the 1930s and 1940s.
In the Northern Irish countryside, the land held identity tightly. Too tightly for some.
Working-class TV shows are being destroyed by finance, middle-class bias and “beigevision”, finds Claire Malcolm.
Richard and Claire are joined by novelist David Nicholls to consider Sue Townsend’s 1982 novel The Secret Diary of Adrian Mole Aged 13 ¾.
Georgia Poplett’s introduction to the plot, characters and historical background of Sue Townsend’s novel about a young working-class intellectual in 1980s Leicester.
Britain needs to stop its “sanctification” of working-class people, says one conservative commentator. We weren’t aware it had ever started.
The acclaimed poet’s first essay collection asks why environmental movements exclude people, and what a saved planet might look like for a Black collective.
Richard and Claire are joined by novelist Sarah Hall to consider Flora Thompson’s memoir Lark Rise to Candleford.
Lark Rise to Candleford is a classic of English working-class literature, but is commonly thought of as a cosy, nostalgic memoir. Why?