
The Fugitives
**“In seaside towns, you find most people have come to escape something. That’s what brought me too, really.”** Photographer Carmina Ripollés on finding friendship among the sandcastles, arcades and ice-creams
**“In seaside towns, you find most people have come to escape something. That’s what brought me too, really.”** Photographer Carmina Ripollés on finding friendship among the sandcastles, arcades and ice-creams
**“So if you ask me what motivates me to write about buses, it’s that so little attention is paid to the significance they have for people who have no other means of getting around. The quality of their commute is their quality of life.”**
If you don’t understand why the Beckhams are working class heroes, maybe you don’t understand the working class.
Willy Vlautin has won the Joyce Carol Oates prize for his heartbreaking novel **The Horse.** The Bee met up with him to talk about his hard-living characters, Trump, and his worst-ever job.
Louise Doughty joins us to consider the place of Hilary Mantel’s memoir in our library.
Her working-class background was overlooked, but the double-Booker winner said it determined how she saw the world.
When you’re a child, your social class doesn’t determine how good you are at reading and writing. Yet half of our published writers are from middle-class backgrounds, and only 10 per cent are working class. Why?
How I revolutionised mascara at the age of seven in my mum’s car and how she didn’t understand.
Gissing expert Simon James joins us to consider how **New Grub Street** became so topical again, and to ask if it deserves a place in our fantasy library.
How the troubled George Gissing inspired Orwell, and foretold the influence of Amazon, BookTok and poverty porn.
**“Life was hard in the city over the river. The summer’s riots still smouldered. Then one day, a car crossed the river. A Merc, with windows tinted darker than the night.”**
How did it become so hard to get paid what you’re owed?